French Onion Soup: Composite Image
French Onion Soup
2011
Interactive installation: bread, sprouted onion, soup, dishes, pedestal, hot plate, cheese
Dimensions approximately 8’ x 3’ x 3’
As part of the group exhibition Art Party, curated by Gabe & Jennifer Hillebrand, Hill and Brand Gallery, Rochester, MI
“Relational aesthetics, a contemporary art trend since the 1990s, prioritizes social interactions facilitated by the artwork over the artwork as an object. Thompson’s event, French Onion Soup, explores two questions related to art as a social event: What constitutes a functioning, equitable social community? And what defines good participatory art that adequately critiques social relationships? Held in a home in Rochester, Michigan, during renovations, Thompson offers onion soup, a symbol of care, and bakes bread. An over-proofed loaf with green onions covers a large hole in the wall. The soup is served on a warming plate that sits on a white pedestal. Only three people can eat at a time and are requested to clean up their cups and spoons afterwards. This approach fosters responsibility and social connection.”
— Curator Nadja Rottner’s wall label text for Andy T’s Urban Vision
French Onion Soup: Composite Image
“French Onion Soup is a piece that begins as an installation, but is interactive and determinant according to viewer participation. A loaf of bread and a sprouted onion fill a hole in the gallery wall. Below, hot soup is provided on a gallery pedestal modified to hold serving sets for only three portions of soup. Critical to the piece is not only the viewers’ enjoyment of the soup, but also their sense of responsibility to wash their dishes and return them for the next viewer to participate. Hospitality may be provided by the artist, but it must be maintained by the audience.”
— Original statement about the work